Rachelle LeBlanc: No Time For Sorry

In "No Time for Sorry," artist Rachelle LeBlanc invites viewers into a profound exploration of alternative realities and identities, delving into the themes of transformation, belonging, and the fluidity of self. Through a masterful fusion of hand-hooked surface embroidery and ceramic sculptures, LeBlanc crafts a narrative transcending traditional boundary, engaging with the concept that there is no time to apologize for becoming who you were meant to be as a pathway to self-discovery and social change. The exhibition reflects the artist's journey as a parent and a broader commentary on the evolving nature of identity and family.

In a world driven by rapid production and disposability, I find meaning in traditional materials and techniques, particularly those rooted in 'women's work.' As an interdisciplinary artist, I merge hand-hooked embroidery, tufting, and ceramics to explore the fluidity of self, transformation, and belonging. My work reflects my journey as a parent and woman while addressing the evolving nature of identity and family within larger societal contexts.

Each tapestry is meticulously crafted by hand, with thousands of loops that form intricate and subtle imagery—much like pixels in a digital image. I use hand-dyed fabrics, upcycled materials, yarns from recycled water bottles, vintage silks, embroidery, and beads to create a rich, textured narrative. In contrast, my porcelain and earthenware clay sculptures are formed from southern clay, which has been historically used by the region's Indigenous peoples, infusing each piece with a sense of memory and history.

Through these works, I aim to challenge perceptions of tradition and identity while fostering conversations about belonging and transformation in contemporary society.